top of page

Dutch Masters Series — Step 5: Glazing (The Luminous Veil)

After the patient work of modeling has given the painting its form and structure, the Dutch Masters introduced the most magical stage of the entire process — glazing.This is where color deepens, shadows glow, and light begins to travel through the layers of paint.

Glazing is the quiet secret behind the luminous realism of the Old Masters.


What Is Glazing? The Dutch Masters Series

Glazing is the application of thin, transparent layers of color over the modeled paint.These transparent films shift hue, deepen value, and create optical depth without covering the work beneath.

A proper glaze should feel like colored glass — clear, luminous, and alive with inner light.

At this stage, you are:

  • enriching warm and cool notes,

  • enhancing depth in the shadows,

  • strengthening the atmosphere,

  • softening transitions,

  • and creating that unmistakable Dutch glow.


How to Glaze (The Dutch Way)

The Dutch Masters approached glazing with discipline and patience:

  • Use a transparent pigment (earth colors, alizarin, ultramarine, etc.)

  • Mix with a glazing medium to keep the layer thin and even

  • Apply with a soft brush to avoid streaks

  • Work in controlled layers — subtle shifts, not dramatic jumps

  • Allow the light beneath to shine through

Glazing should always reveal the forms you sculpted in Steps 3 and 4 — never bury them.

A helpful rule:If you can’t see the layer beneath, it isn’t a glaze… it’s overpainting.


What Glazing Adds to the Painting

This step is responsible for the depth and richness associated with classical oil painting.

Glazing creates:

  • a warm, velvety shadow,

  • a unified atmosphere,

  • depth that feels optical instead of painted,

  • enhanced three-dimensionality,

  • and subtle color harmonies impossible with opaque paint.

This is where the soul of the painting slowly starts to glow.


Common Mistakes to Avoid

Keep an eye out for:

  • Too much medium → causes tacky, glossy surfaces

  • Using opaque pigments → cancels the transparency of the glaze

  • Applying too heavily → loses all the modeling work beneath

  • Over-saturating color → destroys the realism and balance

  • Not letting layers dry → creates muddiness

The Dutch method thrives on patience — slow, deliberate, transparent layers.


How This Fits Into the Full Dutch Method

Glazing is Step 5 of 7 in the classical Dutch Masters workflow. It sits between the structure of modeling and the final polishing of highlights.

To explore the entire process or revisit earlier steps, you can return to the main guide:👉 Dutch Masters Technique — A Step-by-Step Guide


A Note for Collectors

This is the stage collectors often find mesmerizing — when the painting begins to glow softly from within. Members of the Collectors Circle receive early snapshots of this transformation, along with private notes on technique and progress.


You can join the inner studio list here: Collectors Circle

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

© Copyright Notice

All of the images in this web site are copyrighted original fine artworks by Durhl Davis, and they are protected by the United States and international copyright law. Use of any content from this site, for any purpose, is strictly forbidden without express, written permission from Durhl Davis

All messages receive a response within 24 hours from Durhl Davis Fine Art.

bottom of page